And then someone (possibly the same person) went further, and asked if we couldn't just hide all the mixer stuff inside a stagebox, chuck a WiFi router in there for good measure, and banish stage snakes altogether. Soundcraft Ui24RĪs live engineers started patrolling their venues with iPads, some bright spark started to wonder whether mixers needed a control surface at all. More recently, Behringer have also launched the intriguing Wing mixer, which also looks to have recording applications.
#Free sound studio mixer series#
Like the StudioLive range, the X32 series has expanded to cover a number of different form factors, like the compact Producer edition and various rackmounting options. For the price of a decent analogue board, small venues and gigging bands could enjoy flying faders, virtual soundchecks, LCD scribble strips, remote stageboxes, personal monitor mixers, and more. The X32 had a profound effect on the live music scene, and arguably did more than any other mixer to convert the lower echelons of live sound over to digital. For example, you can use a StudioLive mixer as a Studio One DAW controller, and because both console and DAW use the same Fat Channel signal processing, you can even transfer mixer settings between them. StudioLive mixers also offer an impressive amount of integration with PreSonus' Studio One DAW. The range has grown steadily since the first one appeared in 2003, adopting the USB protocol along the way, and now spans everything from large-format 64-channel consoles to the dinky 1U-rack StudioLive 16R. PreSonus' original StudioLive console was specifically designed for both live and recording applications, combining familiar analogue-like 'one channel per fader' operation while offering 32 channels of computer recording over Firewire.
So, whether you need a fader-packed console for hands-on mixing, you do enough live work to justify owning a digital desk, or you're simply drawn to the idea of having an interface and mixing engine in one unit, let's see what the current crop of digital mixers can offer you. In particular, the fact that so many of them can also work as multichannel audio interfaces means that modern digital mixers can fulfil a number of roles: preamplification, A‑D/D‑A conversion, routing and mixing are built into one box. Advanced features like remote control, audio networking, scene saving and recall, personal monitor mixing, huge amounts of DSP, and direct-to-USB recording started trickling down into the lower end of the live-sound market, and it wasn't long before studio shut-ins saw their potential for recording applications. They never came to dominate the recording sector in the same way, though, and as the notion of 'analogue warmth' gained traction around the turn of the century, they started to become rather unfashionable.Īt about the same time, digital technology began to take over the live-sound market, as live productions became ever more ambitious and required ever higher channel counts. When large-format digital consoles from the likes of Sony, Tascam, SSL and AMS Neve first appeared, they were targeted at recording studios as well as broadcast and post-production.
Many of the features that won live sound engineers over to digital desks also have huge potential in the studio.
0 kommentar(er)
